d) Use a combination of hatching and cross hatching lines to shade in the general weight and volume of the hand.  Note I filled it all in as I intend to remove some shading to create light.  I also left in my previous guidelines as I will incorporate these as I go on.

e) From here using a series of graduated shades with a 2b applied with light or heavy pressure I apply more sophistication to the drawing.  To soften some areas I rub in the pencil with my finger. Also use a little water, it strengthens the darks.  Using a rubber I remove some shading to create light.  This creates more textural drama and volume as well as character.  Doing studies like this is a great way to improve not only your drawing but also your visual observation which in turn will enhance your painting.

Until next time, enjoy.
Phelim

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Hands are a complex drawing to make and as such challenge and improve your observation skills.  Rather than copying from a photo, why not use your non-drawing hand as a model.  Don't let the detail confuse you. a) Start with a simple outline to compose your subject.


b) From there, using simple ovals / circles, shape out the fingers, thumb and palm.  This very quickly allows you to get both a good sense of the forms and basic structure without too much trouble.
c) Now, using your foundation, develop the shapes of the fingers etc.


Try this for now.  Next time I'll talk about and demonstrate shading to create character and volume.

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